{"id":4530,"date":"2019-09-07T12:38:10","date_gmt":"2019-09-07T09:38:10","guid":{"rendered":"http:\/\/www.3nokta.com\/?p=4530"},"modified":"2019-09-07T12:38:10","modified_gmt":"2019-09-07T09:38:10","slug":"ressam-operaya-giderse","status":"publish","type":"post","link":"https:\/\/www.3nokta.com\/3Nokta\/ressam-operaya-giderse\/","title":{"rendered":"Ressam Opera’ya giderse…"},"content":{"rendered":"\n

Ressamlar\u0131n \u00e7e\u015fitli ilham kaynaklar\u0131 vard\u0131r. \u00d6rnegin Van Gogh<\/a>‘un iplik yumaklar\u0131ndan<\/strong> ilham ald\u0131\u011f\u0131 s\u00f6ylenir. Farkl\u0131 renklerde iplikleri bir araya getirip yumak yapan Van Gogh, kendi renk paletini olu\u015fturur ve yumu\u015fak dokular\u0131ndan ilham al\u0131r. Frans\u0131z Cezanne ve \u0130spanyol Picasso, bazen do\u011fa manzaralar\u0131ndan ilham al\u0131r<\/strong>, \u00f6zellikle Provence (Fransa n\u0131n g\u00fcneyindeki bir b\u00f6lge) onlar\u0131 etkiler. Bu liste uzar gider. Bir ba\u015fka Frans\u0131z ressam ise t\u00fcm ilham\u0131n\u0131 operadan al\u0131r<\/strong>. \u00d6zellikle opera salonlar\u0131nda sahnelenen bale g\u00f6sterilerinden. \u015eark\u0131c\u0131lar, seyirciler ve dans\u00e7\u0131lar, ona hep ilham verir. Birbirinden g\u00fczel eserler ortaya \u00e7\u0131kar.<\/p>\n\n\n\n

Edgar Degas’\u0131n me\u015fhur eserlerinden \u00f6rnekler;<\/em><\/strong><\/p>\n\n\n\n

Resimleri, foto\u011fraf makinesinin herhangi bir “an”\u0131 rastgele yakalama \u00f6zelli\u011fini hat\u0131rlat\u0131r. <\/p>\n\n\n\n

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“Pamuk B\u00fcrosu” (1873)<\/figcaption><\/figure><\/div>\n\n\n\n

Pamuk kontrol\u00fc yapan \u015fapkal\u0131 ki\u015fi, Degas\u2019n\u0131n amcas\u0131 Michel Musson\u2019dur. En soldaki pencerenin kenar\u0131na yaslanan, ressam\u0131n karde\u015fi Achille de Gas\u2019t\u0131r. Ortada, ye\u015fil pantolonlu gazete okuyan ki\u015fi ise, Degas\u2019n\u0131n \u00fc\u00e7\u00fcnc\u00fc karde\u015fi Ren\u00e9 de Gas\u2019t\u0131r. Pamuklar\u0131n, gazetenin ve g\u00f6mlerklerin beyazl\u0131\u011f\u0131, t\u00fcccarlar\u0131n koyu elbiseleri ile bir kontrast yapar. D\u00fczensiz \u015fekiller kompozisyona \u00e7e\u015fitlilik getirir. D\u0131\u015f ofisin pencereleri, bo\u015flukta uzakla\u015ft\u0131k\u00e7a k\u00fc\u00e7\u00fcl\u00fcr. \u00d6n plandaki ki\u015filer, arka plandaki k\u00fc\u00e7\u00fck ve daha az belirgin ki\u015filerle tezat halindedir. Bu ayr\u0131nt\u0131lar, sanatseverin “resmin i\u00e7inde bulunuyormu\u015f gibi”<\/strong> hissetmesini sa\u011flar. Degas\u2019\u0131n titiz izlenimlerini ve \u00e7arp\u0131c\u0131 desen yetene\u011fini, foto\u011fraf ger\u00e7ekli\u011finde olan bu eserinde g\u00f6r\u00fcr\u00fcz. <\/p>\n\n\n\n

Degas, ba\u015flarda \u00e7evresindeki dura\u011fan nesne ve sabit modelleri resmeder, fakat sonralar\u0131 hareketli cisimler ilgisini \u00e7eker. \u00d6zellikle balerinler ve y\u0131kanan kad\u0131nlar, tablolar\u0131n\u0131n b\u00fcy\u00fck bir k\u0131sm\u0131na konu olur.<\/p>\n\n\n\n

Bir ressam ve bir opera; Edgar Degas ve Paris operas\u0131<\/em><\/strong><\/p>\n\n\n\n

Paris’te opera ve bale g\u00f6sterilerini ka\u00e7\u0131rmayan Degas, bale sanat\u0131nda hem klasik g\u00fczelli\u011fi hem modern ger\u00e7ekli\u011fi bir arada bulur. 1875 y\u0131l\u0131nda a\u00e7\u0131lan g\u00f6rkemli Palais Garnier opera binas\u0131, \u015fehrin en fakir gen\u00e7 k\u0131zlar\u0131n\u0131n peri, prenses veya krali\u00e7e rollerinde sahnede yer almak i\u00e7in can att\u0131klar\u0131 bir yerdir. Edgar, bu d\u00fcnyan\u0131n bir par\u00e7as\u0131 olduk\u00e7a hem opera ortam\u0131ndan hem gen\u00e7 k\u0131zlar\u0131n duygular\u0131ndan hem de bale sanat\u0131n\u0131n hareketlerinden ilham almaya ba\u015flar. O g\u00fcnlerde modern sanat\u0131n kayna\u011f\u0131 Cezanne’e g\u00f6re “manzara” Edgar’a g\u00f6re ise “bale” dir.<\/p>\n\n\n\n

Bale ile ilgili resimlerinin say\u0131s\u0131 2000 civar\u0131ndad\u0131r; neredeyse t\u00fcm eserlerinin yar\u0131s\u0131 denebilir. Her pozisyonda balerin resmeder. Opera ve bale temas\u0131n\u0131 b\u00f6yle yo\u011fun takip eden neredeyse tek ressamd\u0131r. \u0130\u015fte en bilinen resimlerinden biri;<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

<\/p>\n\n\n\n

Degas’\u0131n bir di\u011fer eseri “14 Ya\u015f\u0131ndaki K\u00fc\u00e7\u00fck Dans\u00e7\u0131” isimli balmumu heykeli, belkide d\u00fcnyan\u0131n en bilinen balerinidir. \u0130lk kez sergilendi\u011fi 1881 y\u0131l\u0131nda, pek be\u011fenilmez ve biraz da maymuna benzetilir. Balmumundan yapt\u0131\u011f\u0131 fig\u00fcre, ger\u00e7ek bir t\u00fct\u00fc ve bale papu\u00e7lar\u0131 giydirir, at k\u0131l\u0131ndan yap\u0131lm\u0131\u015f bir peruk ve saten bir kurdele takar. Y\u0131llar sonra k\u00fcbist, s\u00fcrrealist ve ge\u00e7 d\u00f6nem 20. y\u00fczy\u0131l sanat\u00e7\u0131lar\u0131 heykelin bu \u00f6zelli\u011finden etkilenir. Degas’\u0131n hayat\u0131nda sergiledi\u011fi tek heykeldir. Daha sonradan yapt\u0131\u011f\u0131 heykeller ise Degas \u00f6ld\u00fckten sonra sergilenmi\u015ftir.\u00a0Degas, bu balmumu heykeli \u00f6l\u00fcnceye kadar yan\u0131ndan ay\u0131rmaz ve bronz kopyas\u0131n\u0131n \u00e7\u0131kar\u0131lmas\u0131na izin vermez. \u00d6l\u00fcm\u00fcmden sonra ancak miras\u00e7\u0131lar\u0131 izin verince, bir \u00e7ok bronz kopyas\u0131 \u00e7\u0131kar\u0131l\u0131r. <\/p>\n\n\n\n

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“14 Ya\u015f\u0131ndaki K\u00fc\u00e7\u00fck Dans\u00e7\u0131” 1881<\/figcaption><\/figure><\/div>\n\n\n\n

Edgar Dagas’dan \u00f6zl\u00fc s\u00f6zler<\/em><\/strong><\/p>\n\n\n\n

“Operas\u0131z kalmak b\u00fcy\u00fck bir mahrumiyettir!” <\/p>\n\n\n\n

“Sanat sizin g\u00f6rd\u00fc\u011f\u00fcn\u00fcz de\u011fil, ba\u015fkalar\u0131n\u0131n g\u00f6rmesini sa\u011flad\u0131\u011f\u0131n\u0131z \u015feydir” <\/p>\n\n\n\n

“Resim yapmay\u0131 bilmiyorsan\u0131z, resim yapmak \u00e7ok kolay; biliyorsan\u0131z \u00e7ok zor.” <\/p>\n\n\n\n

Edgar Degas kimdir?<\/em><\/strong><\/p>\n\n\n\n

Edgar de Gas (ya da sadece Degas), 19 Temmuz 1834\u2019te Paris\u2019te zengin ve k\u00fclt\u00fcrl\u00fc bir ailenin, be\u015f \u00e7ocu\u011funun en b\u00fcy\u00fc\u011f\u00fc olarak d\u00fcnyaya gelir. Hen\u00fcz 13 ya\u015f\u0131ndayken \u00e7ok sevdi\u011fi annesinin \u00f6l\u00fcm\u00fc onu etkiler. Hukuk fak\u00fcltesine yaz\u0131lsa da devam edemez. Banker olan babas\u0131 ayn\u0131 zamanda tiyatro ve m\u00fczikle ilgilenir, bu nedenle babas\u0131 Degas’\u0131 hem etkiler hem de destekler. Hukuk e\u011fitimini b\u0131rakt\u0131ktan sonra resim dolu g\u00fcnler ba\u015flar.<\/strong> Avrupa’n\u0131n \u00e7e\u015fitli yerlerinde m\u00fczeler gezer, sergiler gezer, operalara gider. Evlenmez. 60’l\u0131 ya\u015flar\u0131nda g\u00f6rme yetene\u011fini kaybetmeye ba\u015flar ve 67 ya\u015f\u0131nda tamamen k\u00f6r olur. Bu olay sonras\u0131, resim yerine al\u00e7\u0131 heykellere y\u00f6nelir. 1917 y\u0131l\u0131nda \u00f6l\u00fcm\u00fcne kadar, heykel sanat\u0131yla u\u011fra\u015f\u0131r.<\/p>\n\n\n\n

Degas’\u0131n beslendi\u011fi ilham kayna\u011f\u0131<\/strong> bug\u00fcn hala varl\u0131\u011f\u0131n\u0131 s\u00fcrd\u00fcr\u00fcyor. Opera, bale ve m\u00fczik dolu g\u00f6steriler, sanat\u00e7\u0131lara ilham vermeye devam edecek.<\/p>\n\n\n\n

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“14 Ya\u015f\u0131ndaki K\u00fc\u00e7\u00fck Dans\u00e7\u0131” 1881<\/em> <\/figcaption><\/figure><\/div>\n\n\n

<\/p>\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Ressamlar\u0131n \u00e7e\u015fitli ilham kaynaklar\u0131 vard\u0131r. \u00d6rnegin Van Gogh‘un iplik yumaklar\u0131ndan ilham ald\u0131\u011f\u0131 s\u00f6ylenir. Farkl\u0131 renklerde iplikleri bir araya getirip yumak yapan Van Gogh, kendi renk paletini olu\u015fturur ve yumu\u015fak dokular\u0131ndan…<\/p>\n","protected":false},"author":1,"featured_media":4550,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":"","footnotes":""},"categories":[5],"tags":[345,753,911,984,999,1106],"class_list":["post-4530","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler","tag-edgar-degas-kimdir","tag-kultur-sanat-yazilari-linkleri-sitesi-blogu","tag-muzikli-operali-resim-yarismasi","tag-opera-kitabi","tag-operayi-anlatan-en-basit-kitap","tag-ressamlarin-ilham-kaynagi-nedir"],"_links":{"self":[{"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/posts\/4530","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/comments?post=4530"}],"version-history":[{"count":0,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/posts\/4530\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/media?parent=4530"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/categories?post=4530"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/tags?post=4530"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}