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<\/a><\/p>\n- \n
- \nmartern aller arten (her t\u00fcrl\u00fc eziyet)
\nm\u00f6gen meiner warten, (bekleyebilir beni,)
\nich verlache qual und pein. (g\u00fclerim zulme ve ac\u0131ya.)
\nnichts soll mich ersch\u00fcttern. (hi\u00e7bir \u015fey sarsamaz beni.)<\/div>\n<\/li>\n<\/ul>\n<\/div>\n<\/section>\n<\/div>\n<\/div>\n<\/div>\nOsmin; sahnede tektir, Konstanze den ho\u015flan\u0131yordur ama umutsuzdur, tehdit ile bir \u015fey elde edemeyece\u011fini o da bilmektedir.<\/p>\n
Pedrillo; sevgilisine (Blonde) m\u00fcjdeli haberi verir. Belmonte gelmi\u015ftir, ka\u00e7\u0131\u015f plan\u0131n\u0131 konusurlar ve kar\u015f\u0131l\u0131\u011f\u0131nda Blonde’den \u00f6p\u00fcc\u00fc\u011f\u00fc al\u0131r.<\/p>\n
Belmonte; ka\u00e7\u0131\u015f haz\u0131rl\u0131klar\u0131na ba\u015flar, risk alacakt\u0131r , \u00e7ok sevmektedir ve korkak olarak ya\u015famak istemez.<\/p>\n
Pedrillo-Osmin: Hz. Muhammed yasaklamasayd\u0131k birlikte i\u00e7erdik, gel dene, bir kere bir\u015fey olmaz. Sonucta Osmin ikna olur ve i\u00e7meye ba\u015flar,sarho\u015f olmu\u015ftur. Ka\u00e7\u0131\u015f plan\u0131n\u0131n ilk a\u015famas\u0131 tamamd\u0131r, Osmin den kurtulmu\u015flard\u0131r.<\/p>\n
Konstanze-Belmonte ve sonras\u0131nda Pedrillo-Blonde; Hem 4 li hem 2 li gruplar olarak farkl\u0131 duygular\u0131 ayn\u0131 m\u00fczikle aktar\u0131rlar.(sadakatsiz olmad\u0131\u011f\u0131m\u0131z\u0131 nas\u0131l d\u00fc\u015f\u00fcn\u00fcrs\u00fcn\u00fcz? – Inanmad\u0131\u011f\u0131m\u0131z i\u00e7in bizi affedin)<\/p>\n
2. perde sonu, 60 dk.<\/p>\n
25 dakikal\u0131k ara verildi.<\/p>\n
3.perde<\/p>\n
Ka\u00e7\u0131\u015f ba\u015flar. Bavullar ve ku\u015f kafesi ka\u00e7\u0131\u015f\u0131 hem zorlu hem de komik bir hale sokar. Buna bir de ka\u00e7\u0131\u015f\u0131 ihbar eden k\u00f6lenin ilave edilmesi ile heyecan katlan\u0131r. Sarhos Osmin, \u00a0k\u00f6lenin biz seyircileri oyuna ortak etmesiyle, alk\u0131\u015f deste\u011fi sayesinde, zar zor uyan\u0131r ve ka\u00e7anlar\u0131n pe\u015fine d\u00fc\u015fer.<\/p>\n
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<\/a><\/p>\n<\/p>\n
Osmin; ka\u00e7aklar\u0131 kolayca yakalar. Mutludur, zafer \u015fark\u0131lar\u0131 s\u00f6yler.<\/p>\n
Selim Pa\u015fa sahneye gelir; Osmin olanlar\u0131 anlat\u0131r. Belmonte nin mimar olmad\u0131\u011f\u0131n\u0131 \u00f6grenir hatta Belmonte’nin babas\u0131n\u0131n ge\u00e7mi\u015fte Selim Pa\u015fa ya zarar\u0131 dokunmu\u015ftur.”E\u011fer benim yerimde baban olsayd\u0131 size ne yapard\u0131? Karar\u0131m\u0131 bekleyin”, \u00a0diyerek sahneden ayr\u0131l\u0131r.<\/p>\n
Konstanze-Belmonte; Pa\u015fa n\u0131n karar\u0131n\u0131 beklemektedirler, birbirlerine a\u015fklar\u0131n\u0131 yineler ve k\u00f6t\u00fc sona kendilerini haz\u0131rlarlar.<\/p>\n
Final; herkes sahnededir. Selim Pa\u015fa karar\u0131n\u0131 vermi\u015ftir. “Baban gibi olmad\u0131m,olmayaca\u011f\u0131m. \u00d6zg\u00fcrs\u00fcn\u00fcz, Konstazne’yi al, babana bunlar\u0131 anlat ve hi\u00e7bir zaman onun gibi k\u00f6t\u00fc bir adam olma”. Osmin kar\u015f\u0131 \u00e7\u0131ksada, hepsi \u00f6zg\u00fcrd\u00fcr.<\/p>\n
S\u0131rayla Selim Pa\u015faya te\u015fekk\u00fcr , onere edici s\u00f6zler s\u00f6yleyerek gemiye binerler ve yola \u00e7\u0131karlar. Mozart’\u0131n muhte\u015fem final m\u00fczi\u011fiyle birlikte, \u015fenlik havas\u0131nda opera biter.<\/p>\n
3.perde sonu, 45 dk.<\/p>\n
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<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0![\"\"](\"http:\/\/www.3nokta.com\/wp-content\/uploads\/IMG_9700-e1498334305308-225x300.jpg\")
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<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"16 sene sonra bir kez daha \u00a0“La Scala” da opera izlemenin heyecan\u0131 ile binadan i\u00e7eri girdim. \u00a0Hayal mayal an\u0131lar\u0131m\u0131 \u00e7a\u011f\u0131r\u0131p, o g\u00fcnleri hat\u0131rlamaya gayret etsemde hi\u00e7 bir k\u00f6\u015fe veya y\u00fcz…<\/p>\n","protected":false},"author":1,"featured_media":2299,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":"","footnotes":""},"categories":[4],"tags":[617,619,762,860,903,904,976,984],"class_list":["post-2282","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gunluk","tag-italya-da-opera-izlemek","tag-italya-ve-opera","tag-la-scala","tag-milano","tag-muzik","tag-muzik-dolu-kitap","tag-opera","tag-opera-kitabi"],"_links":{"self":[{"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/posts\/2282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/comments?post=2282"}],"version-history":[{"count":0,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/posts\/2282\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/media?parent=2282"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/categories?post=2282"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/tags?post=2282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"leyla](\"http:\/\/www.3nokta.com\/wp-content\/uploads\/IMG_9742-300x225.jpg\")
<\/a><\/p>\nIstanbul do\u011fumlu Leyla Gencer’in, La Scala da y\u0131llarca performans sahneleyece\u011fini ve neticesinde hakk\u0131nda kitap bas\u0131lacak kadar ba\u015far\u0131l\u0131 bir sanatc\u0131 “La Diva Turca” olaca\u011f\u0131n\u0131 kim bilebilirdi.<\/p>\n
19 Haziran aksami\u00a0 20:00 da, Milano La Scala operas\u0131nda , Mozart\u2019\u0131n Saray dan k\u0131z ka\u00e7\u0131rma operas\u0131n\u0131 takip ettim. La Scala orkestras\u0131n\u0131 81 ya\u015f\u0131ndaki efsane \u015fef Zubin Mehta y\u00f6netti.<\/p>\n
Saraydan k\u0131z ka\u00e7\u0131rma \u00a0dekorasyon i\u00e7in detay gerektirmeyen yaln\u0131z \u00f6zenli k\u0131yafet se\u00e7imi ile ba\u015far\u0131yla sahneye konabilecek bir oyun. Bu nedenle \u00fclkemizde Topkap\u0131 , Y\u0131ld\u0131z Saray\u0131 gibi mekanlarda rahatl\u0131kla sergilenebiliyor. (bkz. Saraydan K\u0131z Ka\u00e7\u0131rma Y\u0131ld\u0131z Saray\u0131<\/a>)<\/p>\n 1.perde<\/p>\n Mozart’\u0131n muhte\u015fem \u00fcvert\u00fcr\u00fc bitimiyle birlikte sahnede Belmonte (sevgilisi Konstanze\u2019yi bulmak i\u00e7in pa\u015fa n\u0131n saray\u0131na kadar gelen prens)\u00a0g\u00f6z\u00fck\u00fcr.<\/p>\n Osmin (Selim pa\u015fa n\u0131n yard\u0131mc\u0131s\u0131) \u00a0Belmonte yi kar\u015f\u0131lar . Ikilinin uyumu ile ba\u015fl\u0131yor oyun, ad\u0131mlar\u0131 bile birbirini tamamlayan ikili, 2 farkl\u0131 duyguyu ayn\u0131 m\u00fczikte anlat\u0131yor. Belmonte, saraya girmeye, Osmin, yabanc\u0131y\u0131 oradan uzakla\u015ft\u0131rmaya \u00e7al\u0131\u015f\u0131r. Zincirleri ba\u011flamay\u0131 ba\u015faramamas\u0131, s\u0131k\u0131\u015fan parmaklar\u0131n\u0131 ay\u0131ramamas\u0131 ve g\u00f6be\u011finden rahat hareket edememesi gibi detaylar ile Osmin\u2019e aptal ve kilolu imaj\u0131 veriliyor.<\/p>\n