{"id":209,"date":"2009-09-18T08:44:45","date_gmt":"2009-09-18T06:44:45","guid":{"rendered":"http:\/\/www.3nokta.com\/?p=209"},"modified":"2009-09-18T08:44:45","modified_gmt":"2009-09-18T06:44:45","slug":"saraydan-kiz-kacirma-yildiz-sarayi","status":"publish","type":"post","link":"https:\/\/www.3nokta.com\/3Nokta\/saraydan-kiz-kacirma-yildiz-sarayi\/","title":{"rendered":"Saraydan K\u0131z Ka\u00e7\u0131rma (Y\u0131ld\u0131z Saray\u0131)"},"content":{"rendered":"

Y\u0131ld\u0131z Saray\u0131 II.Abdulhamid d\u00f6neminde, Osmanl\u0131 imparatorlugunun y\u00f6netim mekezi olarak kullan\u0131lm\u0131\u015ft\u0131r. Tiyatro ve operay\u0131 \u00e7ok seven bu padi\u015fah\u0131n saraya yapt\u0131rd\u0131\u011f\u0131 Y\u0131ld\u0131z Tiyatrosu nun yan\u0131nda, B\u00fcy\u00fck Mabeyn k\u00f6\u015fk\u00fc bah\u00e7esinde, Istanbul Devlet opera ve balesinin sahneye koydugu Mozart’\u0131n \u00fcnl\u00fc eseri “Saraydan K\u0131z Ka\u00e7\u0131rma” y\u0131 seyrettim.<\/p>\n

Bu opera ilk olarak 1782 y\u0131l\u0131nda Viyana’da oynand\u0131. Mozart babas\u0131na yazd\u0131g\u0131 bir mektupta “G\u00fcfte \u00e7ok iyi. Konu T\u00fcrk. \u00dcvert\u00fcr, birinci perdenin ve finalin korolar\u0131n\u0131 T\u00fcrk m\u00fczi\u011fi olarak besteleyece\u011fim”* diyerek, bu opera ile ilgili memnuniyetini ifade etmi\u015ftir.<\/p>\n

Yekta Kara’n\u0131n sahneye koydugu opera, daha \u00f6nce de Topkap\u0131 Saray\u0131’nda icra edilmi\u015fti. Y\u0131ld\u0131z Saray\u0131 ndaki ortam\u0131n daha s\u0131cak oldugunu ifade etmeleyim, bu d\u00fc\u015f\u00fcncemde seyirci kapasitesinin daha az olmas\u0131 ve sahneye yak\u0131nl\u0131k da etkili olmu\u015f olabilir.<\/p>\n

\"Mabeyn<\/p>\n

Opera enfes bir \u00fcvert\u00fcrle ba\u015flar. Bu \u00fcvert\u00fcr\u00fc \u00e7ok ho\u015fuma gidiyor ve her dinleyi\u015fimde daha fakl\u0131 hislere kap\u0131l\u0131yorum. Mozart gibi bir dahinin Fransa da yasad\u0131g\u0131 d\u00f6nemde T\u00fcrk m\u00fczi\u011fi ile ilgilendi\u011fini ve bu m\u00fczikten etkilenerek bu \u00fcvert\u00fcr\u00fc haz\u0131rlad\u0131g\u0131n\u0131 d\u00fc\u015f\u00fcnebiliriz. \u00dcvert\u00fcr, operada en dikkat \u00e7eken b\u00f6l\u00fcmlerdendir. D\u00fc\u015f\u00fcn\u00fcn, o d\u00f6nemde bu operay\u0131 izleyenlerin akl\u0131nda bu \u00fcvert\u00fcr, dolay\u0131s\u0131yla T\u00fcrk m\u00fczi\u011finden olumlu esintiler ak\u0131llar\u0131nda kalm\u0131\u015ft\u0131r. D\u00fcn geceki konserde ise dinleyicilerin bu \u00fcvert\u00fcr\u00fc hissedebildiklerini zannetmiyorum \u00e7\u00fcnk\u00fc orkestra ne yaz\u0131k ki etkileyici bir performans ortaya koyamad\u0131.<\/p>\n

Sahne haz\u0131rl\u0131klar\u0131n\u0131n da iyi oldugunu s\u00f6yleyemece\u011fim. Ilk sahnelerde Osman’\u0131n b\u0131y\u0131n\u0131n d\u00fc\u015fmesi \u00e7ok komik g\u00f6r\u00fcnt\u00fclere sebep oldu. Allah’tan ilk arada, Osman’\u0131n b\u0131y\u0131g\u0131 yap\u0131\u015ft\u0131r\u0131ld\u0131 ve bu sorun a\u015f\u0131ld\u0131. Kostanze’nin k\u0131yafeti (kolsuz,ask\u0131l\u0131) o d\u00f6nemki hangi sarayda g\u00f6r\u00fclebilir bilemiyorum. \u00c7ok bi\u00e7imsiz ve d\u00f6neme uygun de\u011fildi. Yani oyunda bir k\u0131s\u0131m oyuncular Osmanl\u0131 d\u00f6nemi k\u0131yafeti giyerken, bir k\u0131s\u0131m oyuncular ise 2000 li y\u0131llar\u0131n k\u0131yafetlerine sahiptiler.<\/p>\n

Son olarak, belki de en can s\u0131kan taraf, diyaloglar\u0131n d\u00fczensizliginden bahsetmek istiyorum. Konu aryalar de\u011fil, diyaloglard\u0131r. Selim Pa\u015fa hep T\u00fcrk\u00e7e konustu ama ona verilen cevaplar Almanca idi ve hepsini anlad\u0131. Belmonte ve Pedrillo aralar\u0131nda Almanca konustu.Blondchen hem Almanca hem Ingilizce konustu. Bence bu kadar karma\u015f\u0131kl\u0131\u011fa hi\u00e7 gerek yoktu. Ust yaz\u0131n\u0131n da olmad\u0131g\u0131 bir ortamda t\u00fcm diyaloglar\u0131n T\u00fcrk\u00e7e olmas\u0131 (veya m\u00fcmk\u00fcnse ingilizce) \u00e7ok daha iyi olabilirdi.<\/p>\n

\"Pedrillo<\/p>\n

\"Selim<\/p>\n

* Nadir Nadi, Dostum Mozart,\u00c7a\u011fda\u015f Yay\u0131nlar\u0131, 1994<\/p>\n","protected":false},"excerpt":{"rendered":"

Y\u0131ld\u0131z Saray\u0131 II.Abdulhamid d\u00f6neminde, Osmanl\u0131 imparatorlugunun y\u00f6netim mekezi olarak kullan\u0131lm\u0131\u015ft\u0131r. Tiyatro ve operay\u0131 \u00e7ok seven bu padi\u015fah\u0131n saraya yapt\u0131rd\u0131\u011f\u0131 Y\u0131ld\u0131z Tiyatrosu nun yan\u0131nda, B\u00fcy\u00fck Mabeyn k\u00f6\u015fk\u00fc bah\u00e7esinde, Istanbul Devlet opera…<\/p>\n","protected":false},"author":1,"featured_media":211,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":"","footnotes":""},"categories":[4],"tags":[884,891,1181],"class_list":["post-209","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gunluk","tag-mozart-operalari","tag-mozart-ve-turkler","tag-saraydan-kiz-kacirma-operasi"],"_links":{"self":[{"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/posts\/209","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/comments?post=209"}],"version-history":[{"count":0,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/posts\/209\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/media?parent=209"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/categories?post=209"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/tags?post=209"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}