{"id":1837,"date":"2010-12-23T23:37:22","date_gmt":"2010-12-23T21:37:22","guid":{"rendered":"http:\/\/www.3nokta.com\/sevil-berberi-operasi-sreyya-operasinda-bir-gn-kaderimiz-degisecek-mi\/"},"modified":"2010-12-23T23:37:22","modified_gmt":"2010-12-23T21:37:22","slug":"sevil-berberi-operasi-sreyya-operasinda-bir-gn-kaderimiz-degisecek-mi","status":"publish","type":"post","link":"https:\/\/www.3nokta.com\/3Nokta\/sevil-berberi-operasi-sreyya-operasinda-bir-gn-kaderimiz-degisecek-mi\/","title":{"rendered":"Sevil Berberi Operas\u0131 S\u00fcreyya Operas\u0131nda, Bir g\u00fcn kaderimiz de\u011fi\u015fecek mi?"},"content":{"rendered":"

Bu sene \u00fc\u00e7\u00fcnc\u00fc kez Rossini\u2019nin Sevil Berberi operas\u0131n\u0131 seyretmi\u015f oldum. \u00d6nce Fransa\u2019da sonra Istanbul\u2019da Alman sanat\u00e7\u0131lar\u0131n sahnelemesiyle ve son olarak 21 Aral\u0131k gecesi kendi sanat\u00e7\u0131lar\u0131m\u0131z\u0131n performans\u0131yla. Kar\u015f\u0131la\u015ft\u0131rma yapt\u0131\u011f\u0131mda a\u00e7\u0131kcas\u0131 kendi sanat\u00e7\u0131lar\u0131m\u0131z\u0131n performans\u0131n\u0131 baya\u011f\u0131 ba\u015far\u0131l\u0131 buldum.<\/p>\n

\"rossini<\/a><\/p>\n

\u201cSevil Berberi\u201d operas\u0131 \u00e7ok komik ve s\u0131k\u0131lmadan izlenebilecek bir opera. D\u00f6nemin eserlerinde s\u0131kl\u0131kla rastlanan diyaloglar bu oyunda da bir hayli fazla. Bu diyaloglar metine sad\u0131k kal\u0131narak Italyanca yap\u0131l\u0131yor. Ne zaman yarat\u0131c\u0131 ve de\u011fi\u015fim seven bir y\u00f6netmen \u00e7\u0131kacak da bu diyaloglar\u0131 T\u00fcrk\u00e7e yapacak merakla bekliyorum. Umar\u0131m bir g\u00fcn kaderimiz de\u011fi\u015fecek ve Italyanca olmas\u0131na hi\u00e7 gerek olmayan bu diyaloglar\u0131 T\u00fcrk\u00e7e dinleyebilece\u011fiz.<\/p>\n

<\/p>\n

Kont, Caner Ak\u0131n ve \u015fefin uyumu \u00e7ok ba\u015far\u0131l\u0131yd\u0131. Bunu \u00f6zellikle Rosina (Nesrin G\u00f6n\u00fclda\u011f) n\u0131n penceresi alt\u0131nda s\u00f6yledi\u011fi aryada hissettim. Yeteneklerinin fark\u0131nda  ve kontrolluydu. Ancak ayn\u0131 \u015feyi Figaro (Caner Akg\u00fcn) i\u00e7in s\u00f6yleyemeyece\u011fim. Me\u015fhur \u201cFigaro\u201d aryas\u0131n\u0131 seyircilerin aras\u0131na inerek s\u00f6ylemesi g\u00fczel bir s\u00fcrprizdi ama kendisini fazla zorlad\u0131\u011f\u0131n\u0131 hissetmek zor olmad\u0131. Arya bitti\u011finde seyirciden hayli alk\u0131\u015f almay\u0131 ba\u015fard\u0131.<\/p>\n

Rosina (Nesrin G\u00f6n\u00fclda\u011f) sahneye enerji katt\u0131. Figaro\u2019nun d\u00fc\u011f\u00fcn\u00fc operas\u0131nda Cherubino rol\u00fcnden sonra kendisine daha uygun bu rolde g\u00f6z doldurdu.<\/p>\n

\"sevil<\/a><\/p>\n

Don Bartolo rol\u00fcndeki Ali Ihsan Onat m\u00fcthi\u015fti. Don Basilio (Suat Ar\u0131kan) ile birlikte dedikodu ve iftiray\u0131 anlatan d\u00fcetleri bug\u00fcne kadar izledigim t\u00fcm Sevil Berberi operalar\u0131 i\u00e7inde en ba\u015far\u0131l\u0131s\u0131yd\u0131. Hele o koltuktan d\u00fc\u015f\u00fc\u015f zamanlamas\u0131 ve hareketlerini hayranl\u0131kla izledim. Ali Ihsan Onat\u2019\u0131 Nisan 2009 daki Don Pasquale operas\u0131nda da \u00e7ok ba\u015far\u0131l\u0131 bulmu\u015ftum.<\/p>\n

Kont ve Figaro\u2019nun uyumunu \u00e7ok iyi bulmad\u0131m ve son olarak Kont Caner Ak\u0131n\u2019\u0131n sarho\u015f numaras\u0131na biraz daha \u00e7al\u0131\u015fmas\u0131 gerekiyor gibi geldi.<\/p>\n

Orkestra ve \u015fef (Vladimir Lungu) \u00e7ok iyiydi. G\u00fczel bir gece ge\u00e7irmemizi sa\u011flayan sanat\u00e7\u0131lara te\u015fekk\u00fcr etmek gerekiyor.<\/p>\n

S\u00fcre: 2 perde. 1.perde 1,5 saat. 2. perde 50 dakika. Arayla birlikte 3 saat civar\u0131nda.<\/p>\n

 \"sevil<\/a><\/p>\n

Di\u011fer Yaz\u0131lar;<\/strong><\/u><\/p>\n

sevil-berberi-ve-halic-sutluce-kongre-merkezi<\/a><\/p>\n

paris-opera-bastille-ve-sevil-berberi<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Bu sene \u00fc\u00e7\u00fcnc\u00fc kez Rossini\u2019nin Sevil Berberi operas\u0131n\u0131 seyretmi\u015f oldum. \u00d6nce Fransa\u2019da sonra Istanbul\u2019da Alman sanat\u00e7\u0131lar\u0131n sahnelemesiyle ve son olarak 21 Aral\u0131k gecesi kendi sanat\u00e7\u0131lar\u0131m\u0131z\u0131n performans\u0131yla. Kar\u015f\u0131la\u015ft\u0131rma yapt\u0131\u011f\u0131mda a\u00e7\u0131kcas\u0131 kendi…<\/p>\n","protected":false},"author":1,"featured_media":1604,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":"","footnotes":""},"categories":[4],"tags":[976,1124,1207],"class_list":["post-1837","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gunluk","tag-opera","tag-rossini","tag-sevil-berberi"],"_links":{"self":[{"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/posts\/1837","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/comments?post=1837"}],"version-history":[{"count":0,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/posts\/1837\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/media?parent=1837"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/categories?post=1837"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/tags?post=1837"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}