{"id":1813,"date":"2004-09-22T21:20:45","date_gmt":"2004-09-22T18:20:45","guid":{"rendered":"http:\/\/www.3nokta.com\/yazi\/don-giovanni-2\/"},"modified":"2004-09-22T21:20:45","modified_gmt":"2004-09-22T18:20:45","slug":"don-giovanni-2","status":"publish","type":"post","link":"https:\/\/www.3nokta.com\/3Nokta\/don-giovanni-2\/","title":{"rendered":"Don Giovanni"},"content":{"rendered":"

Bilgi ve Sevgi payla\u015ft\u0131k\u00e7a artar…<\/span><\/p>\n

DON GIOVANNI, MOZART’\u0131n 2 perdelik Operas\u0131…<\/p>\n

Opera \u0130spanya’n\u0131n Sevil \u015fehrinde ge\u00e7er… \u0130lk defa 1787′ de Prag’da oynand\u0131…Bu eser \u00e7apk\u0131nlar\u0131n operas\u0131d\u0131r…<\/p>\n

I.PERDE<\/p>\n

Don Giovanni, Sevil kumandan\u0131n\u0131n k\u0131z\u0131 Donna Anna’n\u0131n odas\u0131na girer. K\u0131z kendini savunur ve etraf\u0131 yard\u0131ma \u00e7a\u011f\u0131r\u0131r. Yard\u0131m\u0131na babas\u0131 gelir ancak, Don Giovanni ile babas\u0131n\u0131n aras\u0131ndaki tart\u0131\u015fma d\u00fcelloya d\u00f6n\u00fc\u015f\u00fcr ve D.G. ihtiyar\u0131 \u00f6ld\u00fcr\u00fcr.<\/p>\n

Don Giovanni:<\/p>\n

Ah…gia cadde il sciagurato…
\nAffannosa e agonizzante,
\nGia dal seno palpitante
\nVeggo l’anima partir. Ah..D\u00fc\u015ft\u00fc zavall\u0131….
\nSolu\u011fu kesilmi\u015f ve can \u00e7eki\u015fiyor,
\n\u00c7arpan y\u00fcre\u011finden
\nRuhunun \u00e7\u0131kt\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcyorum<\/p>\n

Efendisini d\u0131\u015far\u0131da bekleyen u\u015fak Leporello, g\u00f6rd\u00fcklerine inanamaz;<\/p>\n

Leporello:<\/p>\n

Qual misfatto!Qual eccesso!
\nEntro il sen,dallo spavento
\nPalpitar il cor mi sento
\nIo non so che far, che dir. Bu cinayet! Bu \u00e7ok fazla!
\nKorku i\u00e7inde…
\n\u00c7arp\u0131yor y\u00fcre\u011fim…hissediyorum
\nNe yap\u0131l\u0131r, ne denir bilmiyorum<\/p>\n

Don Giovanni u\u015fa\u011f\u0131 Leporello ile birlikte olay yerinden ka\u00e7ar. Az sonra olay yerine gelen Donna Anna, kendisine sald\u0131ran ve babas\u0131n\u0131 \u00f6ld\u00fcren maskeli adam\u0131 g\u00f6remedi\u011fini , ama ne olursa olsun intikam\u0131n\u0131 almas\u0131n\u0131 sevgilisi Don Ottavio ‘ya s\u00f6yler. Operada intikam tutkusu \u00e7ok yerde i\u015flenecek, sahnede daha az g\u00f6r\u00fcnen Don Giovanni ve \u00e7apk\u0131nl\u0131klar\u0131 zaman zaman ikinci planda kalacakt\u0131r.<\/p>\n

II.SAHNE<\/p>\n

Don Giovanni, yapt\u0131\u011f\u0131 i\u015fin etkisinden kurtulmu\u015f, Leporello ile yeni maceralar\u0131n\u0131 tart\u0131\u015fmaya ba\u015flar. Tam bu s\u0131rada sahneye bir kad\u0131n\u0131n geldi\u011fini anlar\u0131z;<\/p>\n

D.G:<\/p>\n

…mi pare Sentir odor di femmina…. …Havada kad\u0131n kokusu var…<\/p>\n

Sahnede beliren Donna Elvira’n\u0131n \u00fcz\u00fcnt\u00fcl\u00fc oldu\u011fu halinden anla\u015f\u0131l\u0131r.<\/p>\n

Donn’Elvira:<\/p>\n

Ah chi mi dice mai
\nQuel barbaro dove?
\n…Ah se ritrovo l’empio
\nE a me non torna ancor
\nVo’ farne orrendo scempio,
\ngli vo’ cavar il cor.
\nKim s\u00f6yleyecek bana
\nO barbar nerede?
\n…O imans\u0131z\u0131 bulursam tekrar
\nve d\u00f6nmezse hala bana
\nOnu ac\u0131mas\u0131zca \u00f6ld\u00fcr\u00fcp
\nkalbini \u00e7\u0131karmak istiyorum
\nD.G: (Leporello’ya)<\/p>\n

…Cerchiam di consolare il suo tormento. …Onu avutmaya \u00e7al\u0131\u015fmal\u0131y\u0131z<\/p>\n

Leporello:<\/p>\n

Cosi ne consolo mille e ottocento. 1800 kad\u0131n\u0131 avuttu\u011funuz gibi<\/p>\n

Don Giovanni kad\u0131na yakla\u015f\u0131nca, birka\u00e7 g\u00fcn \u00f6nce terk etti\u011fi Donna Elvira oldu\u011funu farkeder. Donna Elvira sinirli bir \u015fekilde D.G.’nin \u00fcst\u00fcne gider.Bunun \u00fcst\u00fcne D.G. Leporello’yu kad\u0131nla yaln\u0131z b\u0131rak\u0131p ka\u00e7ar.Leporello gen\u00e7 kad\u0131n\u0131 avutmak i\u00e7in cebinden bir defter \u00e7\u0131kararak efendisinin aldatt\u0131\u011f\u0131 kad\u0131nlar\u0131n listesini okur. Me\u015fhur “Katalog” aryas\u0131:<\/strong><\/p>\n

Leporello:<\/p>\n

Madamina, il catalogo \u00e9 questo<\/strong>
\nDelle belle che amo il padron mio,
\nUn catalogo egli \u00e9 che ho fatt’io,
\nOsservate, leggete con me.<\/p>\n

In Italia seicento e quaranta,
\nIn Lamagna duecento e trent’una
\nCento in Francia, in Turchia novant’una,
\nMa in Spagna son gia mille e tre.<\/p>\n

V’ha fra queste contadine,
\nCameriere, cittadine
\nV’han contesse, baronesse,<\/p>\n

Marchesane,principesse,
\nE v’han donne d’ogni grado,
\nD’ogni forma, d’ogni eta.<\/p>\n

Nella bionda egli ha l’usanza
\nDi lodar la gentilezza
\nNella bruna la costanza,
\nNella bianca la dolcezza<\/p>\n

Vuol d’inverno la grassotta,
\nVuol d’estate la magrotta;
\n\u00e9 la grande maestosa,
\nLa piccina \u00e9 egnor vezzosa.<\/p>\n

Delle vecchie fa conquista
\nPel piacer porle in lista;
\nMa passion predominante
\n\u00e9 la giovin principiante.<\/p>\n

Non si picca se sia ricca
\nSe sia brutta, se sia bella:
\nPurche porti la gonnella,
\nVoi sapete quel che fa. Madam, i\u015fte katalog
\nEfendimin sevdi\u011fi g\u00fczeller.
\nBu benim d\u00fczenledi\u011fim bir katalogdur.
\nDikkat edin ve benimle okuyunuz;<\/p>\n

\u0130talya’da alt\u0131y\u00fczk\u0131rk(640)
\nAlmanya’da ikiy\u00fczotuz(230)
\nFransa’da y\u00fcz(100),T\u00fcrkiye’de 91
\nAma Ispanya’da bin\u00fc\u00e7(1003)<\/p>\n

Bunlar\u0131n aras\u0131nda k\u00f6yl\u00fcler
\nhizmetkerlar,\u015fehirliler
\nkontesler,baronesler<\/p>\n

marizler, prensesler vard\u0131r.
\nBurada her mevkiden
\nher yap\u0131da,her ya\u015ftan kad\u0131n vard\u0131r.<\/p>\n

Sar\u0131\u015f\u0131nlar\u0131n kibarl\u0131\u011f\u0131n\u0131 \u00f6ver
\nEsmerler de sadakati
\nBeyaz tenlilerde tatl\u0131l\u0131\u011f\u0131;<\/p>\n

K\u0131\u015f\u0131n \u015fi\u015fmanlar\u0131 ister,
\nyaz\u0131n ince kad\u0131nlar\u0131.
\nEn b\u00fcy\u00fck zevki ise
\ndeneyimsiz gen\u00e7 k\u0131zlard\u0131r.<\/p>\n

Ya\u015fl\u0131 kad\u0131ndalar\u0131 listesine eklemek i\u00e7in se\u00e7er
\nas\u0131l tutkusu gen\u00e7lerdir.
\n\u0130nat etmez; zengin
\nveya g\u00fczel olsun diye;
\netek giyiyorsa e\u011fer
\nNe yapaca\u011f\u0131n\u0131 biliyorsunuz!<\/p>\n

Aryan\u0131n bitimiyle sahnede tek ba\u015f\u0131na kalan Donna Elvira, intikam almaya yemin ederek sahneden ayr\u0131l\u0131r.<\/p>\n

III.SAHNE<\/p>\n

Aniden sahnede k\u00f6yl\u00fclerin ne\u015feli e\u011flencesini buluruz.K\u00f6yl\u00fc \u00e7ift Masetto ve Zerlina, yakla\u015fan d\u00fc\u011f\u00fcnlerini arkada\u015flar\u0131yla kutlamaktad\u0131r.Don Giovanni, gelini g\u00f6z\u00fcne kestirir ve k\u00f6yl\u00fclere kutlamalar\u0131na saray\u0131nda devam etmelerini \u00f6nerir. Bu arada Leporello Masetto’yu (damat), oyalayarak, Don Giovanni ile Zerlina’n\u0131n yaln\u0131z kalmas\u0131n\u0131 sa\u011flar. Don Giovanni s\u00f6zleriyle Zerlina’n\u0131n akl\u0131n\u0131 kar\u0131\u015ft\u0131rmaya, onu kendisi ile gelmeye raz\u0131 etmeye \u00e7al\u0131\u015f\u0131r.(d\u00fcet)<\/p>\n

Don Giovanni:<\/p>\n

La ci darem la mano,<\/strong>
\nLa mi dirai di si,
\nVedi non \u00e9 lontano
\nPartiam, ben mio, di qui. Bana elini uzat
\nBana “evet ” de
\nG\u00f6r\u00fcyorsun, evim uzak de\u011fil
\nGidelim,buradan.<\/p>\n

Zerlina:<\/p>\n

Vorrei, e non vorrei,
\nMi trema un poco il cor;
\nFelice, \u00e9 ver sarei;
\nMa puo burlarmi ancor. \u0130sterdim ama yapamam
\nKalbimde korku var
\nMutluluk,ger\u00e7ek,olacak
\nAma benimle alay m\u0131 ediyorsunuz?<\/p>\n

Don Giovanni:<\/p>\n

Vieni, mio bel diletto. Gel, a\u015fk\u0131m.<\/p>\n

Zerlina:<\/p>\n

Mi fa pieta Massetto Beni affet Massetto<\/p>\n

Don Giovanni:<\/p>\n

Io cangero tua sorte! Kaderini de\u011fi\u015ftirece\u011fim!<\/p>\n

Zerlina:<\/p>\n

Presto, non son piu forte. Hadi, g\u00fcc\u00fcm kalmad\u0131.<\/p>\n

D.G. ve Zerlina (birlikte)<\/p>\n

Andiam, andiam, mio bene
\nA ristorar la pene
\nD’un innocente amor. Gidelim, gidelim, sevdi\u011fim.
\nac\u0131s\u0131n\u0131 dindirmeye
\nmasum bir a\u015fk\u0131n<\/p>\n

Aniden ortaya \u00e7\u0131kan Donna Elvira, zaman\u0131nda yeti\u015ferek Zerlina’y\u0131 \u00e7apk\u0131n\u0131n elinden kurtar\u0131r;<\/p>\n

Donn’Elvira:<\/p>\n

Fermati,scellerato:il ciel mi fece
\nudir le tue perfidie;i
\nio sono a tempo
\ndi salvar questa misera innocente
\nDal tuo barbaro artiglio! Dur, a\u015fa\u011f\u0131l\u0131k: Tanr\u0131 bana
\nsinsili\u011fini duyurdu,
\ntam vaktinde,
\nkurtard\u0131m bu zavall\u0131 masumu
\nbarbar pen\u00e7elerinden!<\/p>\n

Donna Elvira s\u00f6zlerini tamamlay\u0131nca, Zerlinay\u0131 alarak h\u0131zla uzakla\u015f\u0131r. Don Giovanni kendi kendine “bug\u00fcn her\u015fey ters gidiyor diye d\u00fc\u015f\u00fcn\u00fcrken sahneye Don Ottavio ve Donna Anna girer… \u0130kili, D.Giovanni’den katilin bulunmas\u0131 i\u00e7in yard\u0131m isterler. Aniden i\u00e7eri giren Donna Elvira geri d\u00f6nm\u00fc\u015f, su\u00e7lamalar\u0131na devam etmektedir. Durumun k\u00f6t\u00fcye gitti\u011fini farkeden D.Giovanni
\nbir bahaneyle oradan uzakla\u015f\u0131r. Donna Anna ve Don Ottavio sahnede yaln\u0131z kalm\u0131\u015flard\u0131r.<\/p>\n

Donna Anna:<\/p>\n

Don Ottavio, son morta! Don Ottavio, ben \u00f6ld\u00fcm!<\/p>\n

Don Ottavio:<\/p>\n

Cosa \u00e9 stato?! Ne oldu?<\/p>\n

Donna Anna:<\/p>\n

Quegli \u00e9 il carnefice del padre mio! O babam\u0131n katili!<\/p>\n

Don Ottavio:<\/p>\n

Che dite… Ne diyorsunuz…<\/p>\n

Donna Anna:<\/p>\n

Non dubitate piu:gli ultimi accenti
\nche l’empio proferi tutta la voce
\nRichiamar nel cor mio di quell’ indegno
\nChe nel mio appartamento… \u015e\u00fcpheniz olmas\u0131n:o son ses tonu
\no t\u00fcm s\u00f6yledikleri insafs\u0131z\u0131n
\nkalbime o katilin sesini hat\u0131rlatt\u0131
\nOdama giren adam\u0131…<\/p>\n

Don Giovanni’nin maskesi d\u00fc\u015fm\u00fc\u015f, katil oldu\u011fu ortaya \u00e7\u0131km\u0131\u015ft\u0131r .Don Ottavio sevgilisini teselli eder, ona olan a\u015fk\u0131n\u0131 (Dalla sua pace…) anlat\u0131r ve sahneyi terkeder.<\/p>\n

IV.SAHNE<\/p>\n

Ayn\u0131 g\u00fcn \u00f6\u011fleden sonra, D.Giovanni’nin bah\u00e7esi. Don Giovanni u\u015fa\u011f\u0131na balo i\u00e7in b\u00fct\u00fcn haz\u0131rl\u0131klar\u0131n yap\u0131lmas\u0131n\u0131 emreder, me\u015fhur \u015earap aryas\u0131n\u0131 s\u00f6yler.(Finch’han dal vino…)
\nDaha sonra, Zerlina ile ni\u015fanl\u0131s\u0131 bah\u00e7eye gelirler. Masetto k\u0131zg\u0131nl\u0131\u011f\u0131n\u0131 belli eder.Buna ald\u0131rmayan Zerlina, aryas\u0131yla (Batti,batti, o bel Misetto…) sevgilisinin g\u00f6nl\u00fcn\u00fc al\u0131r. Balo ba\u015flamak \u00fczeredir ve baloya \u00fc\u00e7 konuk daha kat\u0131lacakt\u0131r. Don Ottavio, Donna Anna ve Donna Elvira maskeli ve tan\u0131nmayacak \u015fekilde baloya kat\u0131l\u0131rlar.Balo sahnesinde sahneye giren \u00fc\u00e7 orkestra, \u00fc\u00e7 farkl\u0131 dans \u00e7alar. Bu karma\u015fa i\u00e7erisinde Don Giovanni tekrar Zerlina ile ilgilenir ve zorla onu g\u00f6t\u00fcrmeye \u00e7al\u0131\u015f\u0131rken; maskeler iner, herkes Don Giovanni’nin sonu geldi\u011fini d\u00fc\u015f\u00fcn\u00fcrken. Don Giovanni herkese meydan okuyarak bir kez daha oradan ka\u00e7may\u0131 ba\u015far\u0131r.<\/p>\n

22-09-2004 16:08:25<\/p>\n

\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Bilgi ve Sevgi payla\u015ft\u0131k\u00e7a artar… DON GIOVANNI, MOZART’\u0131n 2 perdelik Operas\u0131… Opera \u0130spanya’n\u0131n Sevil \u015fehrinde ge\u00e7er… \u0130lk defa 1787′ de Prag’da oynand\u0131…Bu eser \u00e7apk\u0131nlar\u0131n operas\u0131d\u0131r… I.PERDE Don Giovanni, Sevil kumandan\u0131n\u0131n…<\/p>\n","protected":false},"author":1,"featured_media":13714,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":"","footnotes":""},"categories":[3],"tags":[325,890,984,1000],"class_list":["post-1813","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-denemek","tag-don-giovanni-operasi","tag-mozart-ve-opera","tag-opera-kitabi","tag-operayi-anlatan-kitap"],"_links":{"self":[{"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/posts\/1813","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/comments?post=1813"}],"version-history":[{"count":0,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/posts\/1813\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/media\/13714"}],"wp:attachment":[{"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/media?parent=1813"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/categories?post=1813"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/tags?post=1813"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}