{"id":13553,"date":"2023-01-05T23:15:00","date_gmt":"2023-01-05T20:15:00","guid":{"rendered":"https:\/\/www.3nokta.com\/?p=13553"},"modified":"2023-01-05T23:15:00","modified_gmt":"2023-01-05T20:15:00","slug":"caykovski-yevgeni-onegin-8-duello","status":"publish","type":"post","link":"https:\/\/www.3nokta.com\/3Nokta\/caykovski-yevgeni-onegin-8-duello\/","title":{"rendered":"\u00c7aykovski Yevgeni Onegin-8 \u201cD\u00fcello\u201d"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">2023 y\u0131l\u0131nda ikincisi ger\u00e7ekle\u015fecek&nbsp;<strong>\u201cHayal Melodileri\u201d resim yar\u0131\u015fmas\u0131na kat\u0131lacak sanat\u00e7\u0131lar, <\/strong>&nbsp;\u201cd\u00fcello\u201d isimli sahneyi dinleyerek, hayallerini resimsel bir anlat\u0131m dili ile ifade edebilecekler.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Tchaikovsky: Eugene Onegin, Op. 24, TH.5 \/ Act 2 - &quot;Kuda, kuda, kuda vi udalilis&quot;\" width=\"1170\" height=\"878\" src=\"https:\/\/www.youtube.com\/embed\/oRO5nQ3CAq4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\"><strong>\u00c7aykovski Yevgeni Onegin-8 \u201cD\u00fcello\u201d<\/strong><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>De\u011ferli kat\u0131l\u0131mc\u0131,<\/strong>&nbsp;<strong>bu b\u00f6l\u00fcm\u00fc anlam\u0131n\u0131 bilmeden resimsel bir anlat\u0131m dili ile ifade etmek<\/strong>&nbsp;<strong>istiyorsan\u0131z, \u00fcstteki par\u00e7a ile yetinmeniz gerekiyor<\/strong>.&nbsp;<strong>L\u00fctfen alttaki videoyu izlemeyiniz ve yaz\u0131n\u0131n devam\u0131n\u0131 okumay\u0131n\u0131z.<\/strong>&nbsp;\u201cHayal Melodileri\u201d resim yar\u0131\u015fmas\u0131&nbsp;<a href=\"https:\/\/www.3nokta.com\/wp-content\/uploads\/2023.01.01-Hayal-Melodileri-2023-sartname.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">\u015fartnamesinde&nbsp;<\/a>&nbsp;belirtildi\u011fi gibi, Yevgeni Onegin operas\u0131nda ge\u00e7en bu b\u00f6l\u00fcm\u00fc, anlam\u0131n\u0131 bilmeden ya da anlam\u0131n\u0131 \u00f6\u011frendikten sonras\u0131n\u0131 anlatacak \u015fekilde haz\u0131rlayabilirsiniz..<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Uvert\u00fcr biter bitmez, iki gen\u00e7 kad\u0131n\u0131n \u015fark\u0131s\u0131n\u0131 dinleyen iki orta ya\u015fl\u0131 kad\u0131n sahnededir. \u015eark\u0131ya k\u0131sa bir ara verilmesini f\u0131rsat bilen ev sahibi Madam Larina ve k\u00e2hyas\u0131 konu\u015fmaya ba\u015flarlar. Madam Larina, \u015fark\u0131n\u0131n etkisiyle ge\u00e7mi\u015fi hat\u0131rlar.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Madam Larina \u00e7iftlik i\u015f\u00e7ileri taraf\u0131ndan \u00e7ok sevilmektedir. Hasat bitmi\u015f ve g\u00fczel ge\u00e7en bu d\u00f6nemi kutlayan i\u015f\u00e7iler g\u00fczel bir \u015fark\u0131yla Madam Larina\u2019ya te\u015fekk\u00fcr ederler. Ne\u015fe dolu koro sahnesi bittikten sonra Madam\u2019\u0131n k\u0131zlar\u0131 Olga ve Tatyana\u2019y\u0131 tan\u0131maya ba\u015flar\u0131z. Olga ise \u015fakac\u0131 ve g\u00fcn\u00fc ya\u015fayan, tasas\u0131z bir \u00e7ocuk gibidir. Tatyana \u00e7ok kitap okuyan ve okudu\u011fu hik\u00e2yelere kendisini kapt\u0131ran, durgun bir romantiktir. Sahneye Madam\u2019\u0131n kom\u015fular\u0131 \u015fair Lenski ve Yevgeni Onegin gelir. Lenski, kom\u015fusu Onegin\u2019i Madam Larina\u2019yla tan\u0131\u015ft\u0131rmak ister. Lenski, Madam\u2019\u0131n k\u0131z\u0131 Olga\u2019ya \u00e2\u015f\u0131kt\u0131r ve s\u0131k s\u0131k g\u00f6r\u00fc\u015fmektedirler.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tatyana ilk defa kar\u015f\u0131la\u015ft\u0131\u011f\u0131 Onegin\u2019den etkilenmi\u015ftir. Kitaplarda okudu\u011fu yak\u0131\u015f\u0131kl\u0131 ve iyi adam kar\u015f\u0131s\u0131ndad\u0131r. Onegin\u2019i g\u00f6r\u00fcr g\u00f6rmez ona \u00e2\u015f\u0131k olur. Olga ve Lenski sohbet ederken, Tatyana ve Onegin y\u00fcr\u00fcy\u00fc\u015fe \u00e7\u0131karlar. Y\u00fcr\u00fcy\u00fc\u015f\u00fcn ard\u0131ndan herkes yeme\u011fe ge\u00e7er.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Yemek biter, misafirler evlerine d\u00f6nerler. Tatyana bir hayli heyecanl\u0131d\u0131r. \u0130lk defa ya\u015fad\u0131\u011f\u0131 bu duygular\u0131n\u0131 anlatmal\u0131, s\u0131rr\u0131n\u0131 d\u00f6kmelidir. \u00d6nce k\u00e2hya kad\u0131na a\u00e7\u0131lmaya \u00e7al\u0131\u015f\u0131r ama ba\u015faramaz. Sonra Onegin\u2019e mektup yazmak akl\u0131na gelir. K\u00e2hyadan mektup yazmak i\u00e7in kalem ve k\u00e2\u011f\u0131t ister. Yakla\u015f\u0131k 15 dakika s\u00fcren, bu sahne <strong>opera tarihinin en k\u0131ymetli b\u00f6l\u00fcmlerinden biridir. <\/strong>Mektubu g\u00fcn\u00fcn ilk \u0131\u015f\u0131klar\u0131 penceresine vurdu\u011funda bitirir ve dad\u0131s\u0131 vas\u0131tas\u0131yla Onegin\u2019e g\u00f6nderir.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tatyana\u2019n\u0131n mektubunu alan Onegin, mektupla cevap vermek yerine Tatyana ile y\u00fcz y\u00fcze g\u00f6r\u00fc\u015fmek ister. Onegin gelir ve Tatyana\u2019ya mektubunu iade eder. Ne karakter ne de ya\u015f olarak birbirlerine uygun olmad\u0131klar\u0131n\u0131 ifade eder. Tatyana\u2019y\u0131 kalbi par\u00e7alanm\u0131\u015f bir durumda b\u0131rakarak uzakla\u015f\u0131r. <strong>I.perde biter.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2.perde<\/strong> k\u0131sa bir uvert\u00fcr sonras\u0131 bir parti sahnesiyle ba\u015flar. Tatyana\u2019n\u0131n do\u011fum g\u00fcn\u00fc nedeniyle annesi parti d\u00fczenlemektedir. Konuklar \u00f6nce vals yaparlar. Tatyana, kendisini ret eden Onegin\u2019i uzun zaman sonra ilk defa g\u00f6r\u00fcr. Onegin pek mutlu g\u00f6z\u00fckmez, ortamda bulunmaktan memnun de\u011fildir. Kendisini partiye getiren arkada\u015f\u0131 \u015fair Lenski\u2019ye s\u00f6ylenir. Onegin, Lenski\u2019nin sevgilisi Olga\u2019ya kur yaparak, Lenski\u2019yi k\u0131zd\u0131rmak ister. Vals sonras\u0131 Olga ile Onegin bu sefer de mazurka dans\u0131yla e\u011flenir. Lenski bu duruma iyice sinirlenir, k\u0131skan\u00e7l\u0131k krizine girer. En yak\u0131n arkada\u015f\u0131yla tart\u0131\u015fmaya ba\u015flar. Olga ve etraftakiler onu sakinle\u015ftirmeye \u00e7al\u0131\u015fsa da, Lenski herkesin i\u00e7inde Onegin\u2019e hakaret eder. \u0130ki tarafta birbirini d\u00fcelloya davet eder.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0130kinci perdenin ikinci sahnesi so\u011fuk bir k\u0131\u015f sabah\u0131nda, a\u00e7\u0131k alanda ba\u015flar. Lenski yan\u0131nda tan\u0131\u011f\u0131 ile birlikte d\u00fcello yap\u0131lacak alana gelir. En yak\u0131n arkada\u015f\u0131 hen\u00fcz gelmemi\u015ftir. Lenski \u00e7ok \u00fczg\u00fcn ve kederlidir. Duygular\u0131n\u0131 me\u015fhur aryas\u0131 ile ifade eder;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Yevgeni Onegin- 8 -  D\u00fcello\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/3eRXKIPx0Mw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\"><strong>\u00c7aykovski Yevgeni Onegin-8 \u201cD\u00fcello\u201d<\/strong><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Bu aryada,<\/strong> a\u015fk\u0131 u\u011fruna hayat\u0131n\u0131 feda etmeye haz\u0131r bir insan\u0131n duygular\u0131n\u0131 dinleriz. Endi\u015fe, korku, a\u015fk ve kader temalar\u0131n\u0131 tek bir aryada ve \u00c7aykovski\u2019nin e\u015fsiz m\u00fczi\u011finde buluruz.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>D\u00fcellonun Rusya\u2019daki Ge\u00e7mi\u015fi ve Pu\u015fkin\u2019in D\u00fcellosu<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">D\u00f6rt as\u0131r boyunca, soylular ve askerlerden tutup, bazen ate\u015f etmeyi dahi beceremeyen ki\u015filerin aras\u0131nda bir\u00e7ok nedenlerle d\u00fcello yap\u0131ld\u0131. Sadece \u201cvicdan\u0131n temiz olmas\u0131\u201d ya da \u201ca\u015fk\u201d i\u00e7in de\u011fil, siyasi anla\u015fmazl\u0131k, hakaret gibi nedenlerle de d\u00fcellolar d\u00fczenlendi. Rusya\u2019da ya\u015fam\u0131n al\u0131\u015f\u0131lagelmi\u015f bir par\u00e7as\u0131 oldu. D\u00fcello modas\u0131, tan\u0131nm\u0131\u015f bir\u00e7ok ki\u015finin hayat\u0131na mal oldu. Kom\u00fcnizmin gelmesi, soylular s\u0131n\u0131f\u0131 ve geleneklerinin yok olmas\u0131yla birlikte 1930 y\u0131l\u0131ndan sonra d\u00fcello yap\u0131lmad\u0131.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pu\u015fkin, Yevgeni Onegin eserini yazarken, sonunun \u015fair Lenski gibi olaca\u011f\u0131n\u0131 bilemezdi. 8 \u015eubat 1937\u2019de St. Petersburg\u2019da, Frans\u0131z George Dantes ile d\u00fcello yapan Pu\u015fkin, karn\u0131ndan \u00f6l\u00fcmc\u00fcl bir yara alm\u0131\u015f ve iki g\u00fcn sonra son nefesini vermi\u015ftir. D\u00fcnyaca \u00fcnl\u00fc \u015fair Pu\u015fkin, Frans\u0131z subay Dantes\u2019in kar\u0131s\u0131 Natalya\u2019ya kur yapt\u0131\u011f\u0131n\u0131 \u00f6\u011frendi\u011fi i\u00e7in onu d\u00fcelloya davet etmi\u015fti.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>2023 y\u0131l\u0131nda ikincisi ger\u00e7ekle\u015fecek&nbsp;\u201cHayal Melodileri\u201d resim yar\u0131\u015fmas\u0131na kat\u0131lacak sanat\u00e7\u0131lar, &nbsp;\u201cd\u00fcello\u201d isimli sahneyi dinleyerek, hayallerini resimsel bir anlat\u0131m dili ile ifade edebilecekler. De\u011ferli kat\u0131l\u0131mc\u0131,&nbsp;bu b\u00f6l\u00fcm\u00fc anlam\u0131n\u0131 bilmeden resimsel bir anlat\u0131m dili&hellip;<\/p>\n","protected":false},"author":1,"featured_media":13765,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":"","footnotes":""},"categories":[10],"tags":[],"class_list":["post-13553","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-yevgeni-onegin"],"_links":{"self":[{"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/posts\/13553","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/comments?post=13553"}],"version-history":[{"count":0,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/posts\/13553\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/media\/13765"}],"wp:attachment":[{"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/media?parent=13553"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/categories?post=13553"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/tags?post=13553"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}