2020 y\u0131l\u0131nda Amerika’da iki konu daha fazla g\u00fcndemdeydi. Bunlardan birincisi t\u00fcm d\u00fcnyay\u0131 etkileyen covid-19 vir\u00fcs\u00fc ile m\u00fccadele di\u011feri ise \u0131rk\u00e7\u0131 davran\u0131\u015flar. \u00d6zellikle Afrika k\u0131tas\u0131n\u0131n insanlar\u0131na yap\u0131lan \u0131rk\u00e7\u0131 sald\u0131r\u0131lar, sadece Amerika k\u0131tas\u0131nda de\u011fil t\u00fcm d\u00fcnyada sanat g\u00fcndeminde tart\u0131\u015f\u0131ld\u0131 ve i\u015flendi.<\/p>\n\n\n\n
Saatler \u00f6nce a\u00e7\u0131klanan habere g\u00f6re, Nisan 2022\u2019de yap\u0131lacak Venedik 59. Bienalinde ABD temsilcisi heykeltra\u015f Simone Leigh olacak. Jamaikal\u0131 misyoner bir ailenin k\u0131z\u0131 olan Chicago do\u011fumlu Leigh, Venedik’te ABD’yi temsil eden ilk siyahi kad\u0131n sanat\u00e7\u0131 olacak.<\/strong> Afrika sanat tarihi, siyahi kad\u0131n bak\u0131\u015f a\u00e7\u0131s\u0131, \u0131rk bilgisi \u00e7al\u0131\u015fmalar\u0131, feminist ve s\u00f6m\u00fcrge d\u00f6nemi sonras\u0131 konular\u0131nda e\u011fitim g\u00f6r\u00fcp \u00e7al\u0131\u015fmalar yapan sanat\u00e7\u0131 bienaldeki ABD stand\u0131n\u0131 Boston Modern Sanat Enstit\u00fcs\u00fc ile beraber olu\u015fturacak. Boston Modern Sanat y\u00f6neticisi Jill Medwedow \u201cStand\u0131m\u0131z\u0131n g\u00fc\u00e7l\u00fc ve cezbedici sanat eserlerine ev sahipli\u011fi oldu\u011funu g\u00f6r\u00fcyoruz, kat\u0131l\u0131mc\u0131lar art\u0131k standart kal\u0131plar\u0131n d\u0131\u015f\u0131ndaki insanlar, ve Simone Leigh bu gruba giriyor. Leigh\u2019in se\u00e7ilmesi 400 y\u0131ldan fazlad\u0131r siyahi kad\u0131nlar\u0131n tarihimizden ve bu global platformdan d\u0131\u015flanmas\u0131n\u0131n sona erdi\u011fi anlam\u0131na geliyo<\/strong>r\u201d diyor. 1990 senesinde \u00fcniversiteden sanat ve felsefe b\u00f6l\u00fcmlerinden mezun olan gen\u00e7 sanat\u00e7\u0131n\u0131n ilk i\u015fi bir mimari seramik firmas\u0131 olmu\u015f, metro i\u00e7in fayans \u00fcretmi\u015f. 2010 senesinde Harlem Studio M\u00fczesine ihtisas yapmak i\u00e7in \u00e7a\u011fr\u0131l\u0131nca sanat kariyeri ba\u015flam\u0131\u015f. A\u00e7\u0131k art\u0131rmalarda eserleri y\u00fcksek fiyatlarda al\u0131c\u0131 bulan sanat\u00e7\u0131 \u201cBana herkes modern sanat\u0131n bir par\u00e7as\u0131 olamayaca\u011f\u0131m\u0131 s\u00f6yledi. Uzun s\u00fcredir spot \u0131\u015f\u0131\u011f\u0131 \u00fczerimde olmad\u0131\u011f\u0131ndan kendi kendime geli\u015fme f\u0131rsat\u0131 bulabildim<\/strong>\u201d yorumu yap\u0131yor. <\/p>\n\n\n\n<\/figure>\n\n\n\n
Tu\u011fla Ev<\/em><\/h2>\n\n\n\n
\u00dcstte g\u00f6rd\u00fc\u011f\u00fcn\u00fcz eser, siyah bir kad\u0131n\u0131n 1,8 metre uzunlu\u011fundaki bronz b\u00fcst\u00fc “Brick House” (Tu\u011fla Ev). Heykelin ba\u015f\u0131, her biri bir deniz kabu\u011fuyla biten, s\u0131rt\u0131 \u00f6rg\u00fcleriyle \u00e7er\u00e7evelenmi\u015f bir afro ile ta\u00e7land\u0131r\u0131lm\u0131\u015ft\u0131r. Brick House, New York \u015fehrinin merkezinde High Line Spur’da sergilenmi\u015ftir. Leigh\u2019in bu an\u0131tsal heykeli, sanat\u00e7\u0131n\u0131n Bat\u0131 Afrika ve G\u00fcney Amerika gibi \u00e7e\u015fitli b\u00f6lgelerden mimari formlar\u0131 insan v\u00fccuduyla birle\u015ftirdi\u011fi bir \u00e7al\u0131\u015fma olmu\u015ftur. Simone Leigh eserini \u015f\u00f6yle yorumlad\u0131 “Tu\u011fladan yap\u0131lm\u0131\u015f bir evin g\u00fcc\u00fc, dayan\u0131kl\u0131l\u0131\u011f\u0131 ve b\u00fct\u00fcnl\u00fc\u011f\u00fc ile ayakta kalan siyahi bir kad\u0131n\u0131 temsil ediyor” <\/strong><\/p>\n\n\n\n Simone Leigh, 2015 Terra cotta, porselen, kobalt ve epoxy 19 x 8 x 18 in\u00e7<\/figcaption><\/figure>\n\n\n\n<\/figure>\n","protected":false},"excerpt":{"rendered":"
2020 y\u0131l\u0131nda Amerika’da iki konu daha fazla g\u00fcndemdeydi. Bunlardan birincisi t\u00fcm d\u00fcnyay\u0131 etkileyen covid-19 vir\u00fcs\u00fc ile m\u00fccadele di\u011feri ise \u0131rk\u00e7\u0131 davran\u0131\u015flar. \u00d6zellikle Afrika k\u0131tas\u0131n\u0131n insanlar\u0131na yap\u0131lan \u0131rk\u00e7\u0131 sald\u0131r\u0131lar, sadece Amerika…<\/p>\n","protected":false},"author":1,"featured_media":11027,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":"","footnotes":""},"categories":[5],"tags":[57,199,633,1216,1223],"class_list":["post-11020","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler","tag-amerika-ve-irkcilik","tag-bienala-katilan-ilk-siyah-kadin-sanatci","tag-irkcilik-ve-sanat","tag-simone-leigh-kimdir","tag-siyah-kadin-ve-sanat"],"_links":{"self":[{"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/posts\/11020","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/comments?post=11020"}],"version-history":[{"count":0,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/posts\/11020\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/media?parent=11020"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/categories?post=11020"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.3nokta.com\/3Nokta\/wp-json\/wp\/v2\/tags?post=11020"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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