{"id":6877,"date":"2019-10-08T07:34:48","date_gmt":"2019-10-08T04:34:48","guid":{"rendered":"http:\/\/www.3nokta.com\/?p=6877"},"modified":"2023-08-27T15:18:38","modified_gmt":"2023-08-27T15:18:38","slug":"cilgin-abromovic","status":"publish","type":"post","link":"http:\/\/www.3nokta.com\/yeni3Nokta\/cilgin-abromovic\/","title":{"rendered":"\u00c7\u0131lg\u0131n Abramovic \u0130stanbul’a Geliyor Mu?"},"content":{"rendered":"\n

Serginin giri\u015finde sizi 2 sandalye ve 1 masa kar\u015f\u0131l\u0131yor. Sanat\u00e7\u0131, bunlar\u0131 kullanarak 2010 y\u0131l\u0131nda New York\u2019taki  Museum of Modern Art\u2019ta (MoMA, New York Modern Sanat M\u00fczesi) canl\u0131 performans yapar (artist is present). Sandalyenin birinde kendisi di\u011ferinde m\u00fczeye gelen ziyaret\u00e7iler oturur. Her misafirin 3 dakikal\u0131k s\u00fcresi vard\u0131r, konu\u015fmadan sadece birbirlerine bakarlar. Tam 736 saat sandalyede oturur ve 1675 insan ile bak\u0131\u015f\u0131r. <\/p>\n\n\n

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\"\"<\/figure>\n<\/div>\n\n\n
\nhttps:\/\/www.youtube.com\/watch?v=OS0Tg0IjCp4\n<\/div>
Bu performansta, 1976-89 y\u0131llar\u0131 aras\u0131nda b\u00fcy\u00fck a\u015fk ya\u015fay\u0131p ayr\u0131ld\u0131\u011f\u0131 Ulay, Abramovic’den habersiz olarak gelir ve kar\u015f\u0131s\u0131na oturur. T\u00fcm performanslarda hareketsiz olan sanat\u00e7\u0131, kalk\u0131p eski a\u015fk\u0131na sar\u0131lmasa da, ellerini uzatarak performans boyunca ilk defa tepki vermi\u015f olur.<\/figcaption><\/figure>\n\n\n\n

\u00dcst katlara \u00e7\u0131k\u0131ld\u0131k\u00e7a sesler ve do\u011fal olarak g\u00f6sterilen performanslar da art\u0131yor. \u00d6zellikle birbirine kar\u0131\u015fm\u0131\u015f y\u00fcksek sesler birazdan g\u00f6receklerinizin haz\u0131rl\u0131\u011f\u0131 gibi tedirginlik verici.<\/p>\n\n\n\n

“Art must be beautiful, artist must be beautiful” (sanat ve sanat\u00e7\u0131 g\u00fczel olmal\u0131d\u0131r)<\/strong> diyerek ba\u011f\u0131r\u0131rken bir taraftan da metal bir sa\u00e7 f\u0131r\u00e7as\u0131yla sa\u00e7lar\u0131n\u0131 y\u0131rtarcas\u0131na tar\u0131yor. 1975 y\u0131l\u0131nda Kopenhang’da yapt\u0131\u011f\u0131 bu performans, y\u00fcz\u00fcne ve saclar\u0131na iyice zarar verir, tam 1 saat s\u00fcrer.<\/p>\n\n\n\n

“Freeing the voice” (sesi \u00f6zg\u00fcrle\u015ftime)<\/strong> isimli performans\u0131 ise do\u011fdu\u011fu \u00fclkenin ba\u015fkenti Belgrad’da yapar. Zemine uzan\u0131r, kafas\u0131n\u0131 arkaya yat\u0131rarak y\u00fcksek ses ile \u00e7\u0131\u011fl\u0131k atar. Sesini kaybetmesi 3 saat s\u00fcrer ve performans tamamlan\u0131r.<\/p>\n\n\n\n

Sergide bir masan\u0131n \u00fcst\u00fcne dizilmi\u015f 72 obje var. Ama ger\u00e7ek obje sanat\u00e7\u0131n\u0131n kendisidir. Kat\u0131l\u0131mc\u0131lar masan\u0131n \u00fcst\u00fcndeki herhangi bir objeyi alarak, Abramovic’in \u00fcst\u00fcnde istedi\u011fi gibi uygular. Olacaklardan Abromovic sorumludur, kat\u0131l\u0131mc\u0131 istedi\u011fini yapmakta \u00f6zg\u00fcrd\u00fcr. Baz\u0131lar\u0131 ku\u015f t\u00fcy\u00fc ile Marina’y\u0131 g\u0131d\u0131klamaya \u00e7al\u0131\u015f\u0131r, kimisi de jilet ile boynunu kesip akan kan\u0131 yalar ve arkas\u0131ndan da yara band\u0131yla kesi\u011fi kapat\u0131r. Kimi s\u0131rt\u0131n\u0131 kam\u00e7\u0131larken, kimisi de b\u0131\u00e7akla baca\u011f\u0131n\u0131 yaralar. Zaman ilerledik\u00e7e yaralar\u0131n derinli\u011fi ve \u015fiddetin dozu artar. “Rhythm 0” isimli bu performans Napoli’de yap\u0131l\u0131r ve 6 saat s\u00fcrer.<\/strong> Performans bitti\u011finde, \u00e7\u0131r\u0131l\u00e7\u0131plak ve kan revan i\u00e7inde aya\u011fa kalkar, seyircilerin \u00fczerine y\u00fcr\u00fcr ve herkes ka\u00e7\u0131\u015f\u0131r. \u0130lgin\u00e7 bir deneydir ve Abramovic bu tecr\u00fcbesini s\u00f6yle yorumlar; ” Hi\u00e7bir \u015fey yapmazsam izleyicilerin ne yapabilece\u011fini g\u00f6rmek istiyordum. A\u015f\u0131r\u0131ya ka\u00e7t\u0131\u011f\u0131m i\u00e7in ele\u015ftiriliyordum, ben de bu kez hi\u00e7bir \u015fey yapmayarak izleyicilerin s\u0131n\u0131rlar\u0131n\u0131 g\u00f6rmek istedim. Sanki bir cehennemdi. G\u00f6sterinin ba\u015f\u0131nda herkes \u00e7ok utanga\u00e7 ve yumu\u015fakt\u0131, bana g\u00fcller veriyorlard\u0131. Daha sonra k\u0131yafetlerimi makas ile y\u0131rtmaya, b\u0131\u00e7akla bo\u011faz\u0131m\u0131 kesip kan\u0131m\u0131 i\u00e7meye ba\u015flad\u0131lar. Herkes delirmi\u015fti. 6 saat sonra g\u00f6steri bitmi\u015fti, performans\u0131mdan \u00e7\u0131k\u0131p kendim olmaya ba\u015flad\u0131m. Yar\u0131 \u00e7\u0131plakt\u0131m, her yerimde kan vard\u0131. \u0130zleyicilerin aras\u0131nda hareket etmeye ba\u015flad\u0131m. Hepsi ka\u00e7t\u0131. Art\u0131k kendim olmama (performans\u0131n sona ermesine) katlanam\u0131yorlard\u0131. Otele gidip aynaya bakt\u0131\u011f\u0131mda kendi kendime “halk seni \u00f6ld\u00fcrebilir, ger\u00e7ekten” dedi\u011fimi hat\u0131rl\u0131yorum”<\/em><\/p>\n\n\n

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Abramovic “Rhythm 0”<\/figcaption><\/figure>\n<\/div>\n\n\n

Alman sanat\u00e7\u0131 ve o d\u00f6nemki sevgilisi Ulay ile birlikte yapt\u0131klar\u0131 “Rest Energy” <\/strong>isimli performansta; Marina’n\u0131n as\u0131ld\u0131\u011f\u0131 yay\u0131n di\u011fer taraf\u0131nda gergin ki\u015fi\u015fteki oku (okun y\u00f6n\u00fc Marina’ya, tam kalbine do\u011fru) Ulay tutmaya \u00e7al\u0131\u015f\u0131r. Bu tehlikeli performansta mikrofon sistemiyle kalp seslerini kay\u0131t alt\u0131na al\u0131rlar. <\/p>\n\n\n\n

Ulay ile birbirlerine tokat att\u0131klar\u0131 (20 dakika) ve avazlar\u0131 \u00e7\u0131kana kadar ba\u011f\u0131rd\u0131klar\u0131 (15 dakika) performanslarda sergide g\u00f6steriliyor.<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

Yine Ulay ile birlikte yapt\u0131klar\u0131 “Imponderabilia” isimli performansta, m\u00fczenin ana giri\u015f kap\u0131s\u0131n\u0131n iki taraf\u0131na \u00e7\u0131r\u0131l\u00e7\u0131plak dikilirler ve insanlar\u0131n aralar\u0131ndan ge\u00e7mesini beklerler. Ge\u00e7enler ya Marina ya da Ulay ile y\u00fczy\u00fcze gelmek zorundad\u0131r. Bologna’da yap\u0131lan performans polis taraf\u0131ndan durdurulur. 90 dakika sonunda 350 ki\u015fi aralar\u0131ndan ge\u00e7er ve. Bu performans, Belgrad’daki sergide iki gen\u00e7 k\u0131z taraf\u0131ndan canland\u0131r\u0131ld\u0131.<\/p>\n\n\n

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Bologna, 1977<\/figcaption><\/figure>\n<\/div>\n\n
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Belgrad, 2019<\/figcaption><\/figure>\n<\/div>\n\n\n

\u00d6zel nedenlerle Ulay ile ayr\u0131lmaya karar verirler. Ayr\u0131l\u0131klar\u0131n\u0131 da unutulmaz bir g\u00f6steriye d\u00f6n\u00fc\u015ft\u00fcr\u00fcrler. \u0130kisi iki ayr\u0131 u\u00e7tan birbirlerine do\u011fru y\u00fcr\u00fcyerek \u00c7in Seddi’nin ortas\u0131nda bulu\u015furlar. Y\u00fcr\u00fcy\u00fc\u015f tam 90 g\u00fcn s\u00fcrer. 1988 y\u0131l\u0131ndaki bu performanstan sonra, bir daha g\u00f6r\u00fc\u015fmemek \u00fczere yollar\u0131n\u0131 ay\u0131r\u0131rlar. Ta ki yaz\u0131n\u0131n giri\u015finde anlatt\u0131\u011f\u0131m, 2010 y\u0131l\u0131ndaki New York’daki bulu\u015fmaya kadar. <\/p>\n\n\n\n

“Balkan Erotic Epic”<\/strong> 2015, isimli \u00e7al\u0131\u015fmas\u0131 pagan rit\u00fcelleri and\u0131ran enteresan bir g\u00f6steridir. Kapal\u0131 bir odada, 3 farkl\u0131 video ve her ekranda farkl\u0131 bir g\u00f6r\u00fcnt\u00fc verilir. Ya\u011fmur ya\u011farken g\u00f6\u011f\u00fcslerini ok\u015fayan, vajinalar\u0131n\u0131 a\u00e7an kad\u0131nlar, “do\u011fay\u0131 d\u00f6llemek i\u00e7in” topra\u011fa uzanan adamlar ve son olarak mast\u00fcrbasyon yapan bir erkek. <\/p>\n\n\n

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Abramovic, Balkan Erotic Epic, 2005<\/figcaption><\/figure>\n<\/div>\n\n\n

Bu sergi nerede? Sergi \u0130stanbul’a gelecek mi?<\/em><\/strong><\/p>\n\n\n\n

Sergi, 20 Ocak 2020’ye kadar S\u0131rbistan’\u0131n ba\u015fkenti Belgrad’daki \u00c7a\u011fda\u015f Sanat M\u00fczesi’<\/a>nde ziyaret edilebilir.<\/p>\n\n\n\n

Sak\u0131p Sabanc\u0131 M\u00fczesi, Marina Abramovic’in \u015eubat 2020\u2019den itibaren \u0130stanbul’da 3 ay boyunca bir sergi ger\u00e7ekle\u015ftirece\u011fini duyurdu. Abramovic’in \u00e7al\u0131\u015fmalar\u0131 b\u00fcy\u00fck bir \u00e7o\u011funlu\u011fun ho\u015funa gitmeyebilir. Bu \u00e7al\u0131\u015fmalar\u0131n sa\u011fl\u0131kl\u0131 bir zihin yap\u0131s\u0131n\u0131n \u00f6rne\u011fi olmad\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnen de \u00e7ok olacakt\u0131r. Ancak \u015f\u00fcphe yok ki, Abramovi\u00e7 kendisini izlettirmeyi \u00e7ok iyi ba\u015far\u0131r. Sergi \u0130stanbul’a gelirse, Belgrad’da sergilenen Abramovic performanslar\u0131n\u0131n ve canland\u0131r\u0131lan g\u00f6sterilerin ne kadar\u0131n\u0131n \u0130stanbul’da olaca\u011f\u0131n\u0131 da kar\u015f\u0131la\u015ft\u0131rm\u0131\u015f olaca\u011f\u0131z.<\/p>\n\n\n\n

Marina Abramovic kimdir?<\/em><\/strong><\/p>\n\n\n\n

72 ya\u015f\u0131ndaki S\u0131rp sanat\u00e7\u0131, v\u00fccut sanat\u0131 ak\u0131m\u0131n\u0131n \u00f6nemli bir temsilcisidir. Yapt\u0131\u011f\u0131 performanslarla insan\u0131n zihinsel ve fiziksel s\u0131n\u0131rlar\u0131n\u0131 zorlar.<\/p>\n","protected":false},"excerpt":{"rendered":"

Serginin giri\u015finde sizi 2 sandalye ve 1 masa kar\u015f\u0131l\u0131yor. Sanat\u00e7\u0131, bunlar\u0131 kullanarak 2010 y\u0131l\u0131nda New York\u2019taki  Museum of Modern Art\u2019ta (MoMA, New York Modern Sanat M\u00fczesi) canl\u0131 performans yapar (artist…<\/p>\n","protected":false},"author":1,"featured_media":13747,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":"","footnotes":""},"categories":[23],"tags":[626,679,680,596,32,497],"class_list":["post-6877","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gunluk","tag-hayal-melodileri-resim-yarismasi","tag-marina-abramovic-istanbul-a-geliyor","tag-marina-abramovic-ve-ulay","tag-muzikli-operali-resim-yarismasi","tag-opera-kitabi","tag-operayi-anlatan-en-basit-kitap"],"_links":{"self":[{"href":"http:\/\/www.3nokta.com\/yeni3Nokta\/wp-json\/wp\/v2\/posts\/6877","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.3nokta.com\/yeni3Nokta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.3nokta.com\/yeni3Nokta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.3nokta.com\/yeni3Nokta\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.3nokta.com\/yeni3Nokta\/wp-json\/wp\/v2\/comments?post=6877"}],"version-history":[{"count":1,"href":"http:\/\/www.3nokta.com\/yeni3Nokta\/wp-json\/wp\/v2\/posts\/6877\/revisions"}],"predecessor-version":[{"id":13755,"href":"http:\/\/www.3nokta.com\/yeni3Nokta\/wp-json\/wp\/v2\/posts\/6877\/revisions\/13755"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.3nokta.com\/yeni3Nokta\/wp-json\/wp\/v2\/media\/13747"}],"wp:attachment":[{"href":"http:\/\/www.3nokta.com\/yeni3Nokta\/wp-json\/wp\/v2\/media?parent=6877"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.3nokta.com\/yeni3Nokta\/wp-json\/wp\/v2\/categories?post=6877"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.3nokta.com\/yeni3Nokta\/wp-json\/wp\/v2\/tags?post=6877"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}