{"id":3601,"date":"2019-08-14T09:16:42","date_gmt":"2019-08-14T06:16:42","guid":{"rendered":"http:\/\/www.3nokta.com\/?p=3601"},"modified":"2019-08-14T09:16:42","modified_gmt":"2019-08-14T06:16:42","slug":"efsanevi-kostum-tasarimcisindan-veda","status":"publish","type":"post","link":"http:\/\/www.3nokta.com\/yeni3Nokta\/efsanevi-kostum-tasarimcisindan-veda\/","title":{"rendered":"Efsanevi Tasar\u0131mc\u0131dan veda"},"content":{"rendered":"\n

2013 y\u0131l\u0131nda, 86 ya\u015f\u0131ndad\u0131r ve tam 55 y\u0131ld\u0131r bu i\u015fi yapmaktad\u0131r. O seneye kadar Oscar \u00f6d\u00fcl\u00fcne 5 defa aday olmu\u015f ama kazanamam\u0131\u015ft\u0131r. Nihayet o y\u0131l, “Oscar Akademi Onur \u00d6d\u00fcl\u00fc”‘ne lay\u0131k g\u00f6r\u00fcl\u00fcr. Onur \u00f6d\u00fcl\u00fc ilk defa bir kost\u00fcm tasar\u0131mc\u0131s\u0131na verilmi\u015f olur. U\u00e7ak korkusu nedeniyle \u00e7ok istese de Amerika’ya gidemez ve \u00f6d\u00fcl\u00fcn\u00fc elden alamaz. Hayat\u0131n\u0131 sahne ve \u00f6zellikle kost\u00fcm tasar\u0131m\u0131 i\u015fine adayan bu \u0130talyan sanat\u00e7\u0131, Piero Tosi<\/strong>, 4 g\u00fcn \u00f6nce, 92 ya\u015f\u0131nda vefat etti. <\/p>\n\n\n\n

Piero Tosi’nin \u00f6zel ve me\u015fhur tasar\u0131mlar\u0131ndan \u00f6rnekler?<\/em><\/strong><\/p>\n\n\n\n

1963 yap\u0131m\u0131 “Leopar” isimli film<\/strong>deki \u00e7ok ba\u015far\u0131l\u0131 dekor ve kost\u00fcmler, Tosi’nin ba\u015fyap\u0131t\u0131 olarak kabul edilir. Filmin y\u00f6netmeni Luchino Visconti’dir. Film, \u0130talyan birli\u011fini sa\u011flayan Guiseppe Garibaldi’yi anlat\u0131r. Ba\u015froldeki iki isim, Tosi’nin enfes kost\u00fcmleriyle daha da \u00e7ekici hale gelmi\u015ftir; Claudia Cardinale ve Alain Delon<\/strong>.<\/p>\n\n\n\n

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“Leopar” filminde, Piero Tosi’nin kost\u00fcmleri i\u00e7indeki Claudia Cardinale ve Alain Delon. <\/figcaption><\/figure><\/div>\n\n\n\n

“Leopar” filminin as\u0131l \u00e7arp\u0131c\u0131 kost\u00fcmleri balo sahnelerinde g\u00f6r\u00fcl\u00fcr<\/strong>. Tosi o kadar ba\u015far\u0131l\u0131 bir \u00e7al\u0131\u015fma yapar ki, Oscar’a ilk defa bu film ile aday g\u00f6sterilir. Piero Tosi, balo sahnesi i\u00e7in 300 e yak\u0131n kost\u00fcm tasarlar. B\u00fct\u00fcn bu \u00e7al\u0131\u015fmalar \u0130talya’da “Tirelli Kost\u00fcm Fabrikas\u0131” tesislerinde \u00fcretilirr. Hi\u00e7 \u015f\u00fcphesiz, Leopar filminin balo sahnesi sinema tarihinin en \u00e7arp\u0131c\u0131 b\u00f6l\u00fcmlerindendir ve bunu Tosi’nin tasarlad\u0131\u011f\u0131 harikulade kad\u0131n kost\u00fcmlerine bor\u00e7ludur.<\/strong><\/p>\n\n\n\n

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“Leopar” filminden balo sahnesi ve Piero Tosi’nin tasarlad\u0131\u011f\u0131 fevkalede kost\u00fcmler.<\/figcaption><\/figure><\/div>\n\n\n\n

“Venedik’te \u00d6l\u00fcm” isimli film<\/strong>de ise <\/em>Silvana Mangano’nun beyaz yazl\u0131k k\u0131yafeti (annesinin stilinden esinlenmi\u015ftir), Bj\u00f6rn Andr\u00e9sen’nin yatay \u00e7izgili k\u0131yafeti ve Dirk Bogarde’nin \u00e7anta, e\u015farp ve tabi ki \u015fapkalar\u0131 \u00e7ok be\u011fenilir. 1971 yap\u0131m\u0131 bu filmin y\u00f6netmeni de Luchino Visconti’dir. Abart\u0131l\u0131 \u015fapkalarla, g\u00f6steri\u015fli k\u0131yafetlerle a\u00e7\u0131lan film, diyaloglar\u0131n de\u011fil g\u00f6r\u00fcnt\u00fclerin filmidir ve Tosi filme damga vurmu\u015ftur<\/p>\n\n\n\n

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Piero Tosi’nin “Venedik’te \u00d6l\u00fcm” isimli filme damga vuran kost\u00fcmlerinden \u00f6rnekler.
<\/figcaption><\/figure><\/div>\n\n\n\n

Efsanevi y\u00f6netmen Franco Zeffirelli<\/strong>‘nin, 1982 y\u0131l\u0131nda yapt\u0131\u011f\u0131 “La Traviata<\/a>” isimli film<\/strong>, me\u015fhur operan\u0131n sinema versiyonudur. Filmin ba\u015frollerinde Placido Domingo<\/a> ve Teresa Strata yer al\u0131r. Piero Tosi, bu filmdeki ba\u015far\u0131l\u0131 kost\u00fcmleriyle , be\u015finci defa Oscar’a adaya g\u00f6sterilir. Hem gen\u00e7 Domingo’yu hem de Tosi’nin enfes tasar\u0131mlar\u0131n\u0131 alttaki video da g\u00f6rebilirsiniz.<\/p>\n\n\n\n

\nhttps:\/\/www.youtube.com\/watch?v=HmC7wmAFsPo\n<\/div><\/figure>\n\n\n\n

Kost\u00fcm tasar\u0131mc\u0131s\u0131 nedir? Ne i\u015f yapar?<\/em><\/strong><\/p>\n\n\n\n

Opera, tiyatro ve sinema gibi sahne sanatlar\u0131nda kost\u00fcm tasar\u0131m\u0131 yapan kimsedir. Tasar\u0131m, sahnelenecek eserin en \u00f6nemli par\u00e7alar\u0131ndan biridir. T\u00fcrkiye’de, baz\u0131 \u00fcniversitelerde “sahne ve kost\u00fcm tasar\u0131m\u0131” b\u00f6l\u00fcmlerinden mezun olanlara “tasar\u0131mc\u0131” denir. T\u00fcrkiye’de her y\u0131l d\u00fczenlenen “Afife Jale Tiyatro \u00d6d\u00fclleri” i\u00e7inde “En \u0130yi Tasar\u0131m” (sahne ve dekor) \u00f6d\u00fcl\u00fc verilmektedir.<\/p>\n\n\n\n

Kost\u00fcm neden \u00f6nemlidir?<\/em><\/strong><\/p>\n\n\n\n

Kost\u00fcm sanat\u0131 tiyatronun kendisi kadar eskidir. Antik \u015fehirlerde g\u00f6rd\u00fc\u011f\u00fcm\u00fcz tiyatrolardan ba\u015flayarak , sahne tasar\u0131m\u0131na ve kost\u00fcm tasar\u0131m\u0131na \u00f6nem verilmi\u015ftir. Oyuncu sahnelenen g\u00f6sterinin en \u00f6nemli par\u00e7as\u0131 ise, oyuncunun ayr\u0131lamaz par\u00e7as\u0131 olan kost\u00fcm de bir o kadar \u00f6nemlidir.Bu iki unsur birbirini tamamlar ve birinin eksikli\u011fi di\u011ferini de olumsuz etkiler. Piero Tosi’yi k\u0131saca anlatt\u0131\u011f\u0131m\u0131z bu yaz\u0131 sonras\u0131, kat\u0131ld\u0131\u011f\u0131n\u0131z sahne sanatlar\u0131 ve g\u00f6sterilerdeki kost\u00fcmlere daha farkl\u0131 bir a\u00e7\u0131dan bakaca\u011f\u0131n\u0131z\u0131 umuyoruz.<\/p>\n","protected":false},"excerpt":{"rendered":"

2013 y\u0131l\u0131nda, 86 ya\u015f\u0131ndad\u0131r ve tam 55 y\u0131ld\u0131r bu i\u015fi yapmaktad\u0131r. O seneye kadar Oscar \u00f6d\u00fcl\u00fcne 5 defa aday olmu\u015f ama kazanamam\u0131\u015ft\u0131r. Nihayet o y\u0131l, “Oscar Akademi Onur \u00d6d\u00fcl\u00fc”‘ne lay\u0131k…<\/p>\n","protected":false},"author":1,"featured_media":3638,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":"","footnotes":""},"categories":[413],"tags":[549,550,32,33,551],"class_list":["post-3601","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haberler","tag-kostum-tasarimcisi-ne-is-yapar","tag-opera-da-kostum","tag-opera-kitabi","tag-operayi-anlatan-kitap","tag-piero-tosi-ve-kostum"],"_links":{"self":[{"href":"http:\/\/www.3nokta.com\/yeni3Nokta\/wp-json\/wp\/v2\/posts\/3601","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.3nokta.com\/yeni3Nokta\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.3nokta.com\/yeni3Nokta\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.3nokta.com\/yeni3Nokta\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.3nokta.com\/yeni3Nokta\/wp-json\/wp\/v2\/comments?post=3601"}],"version-history":[{"count":0,"href":"http:\/\/www.3nokta.com\/yeni3Nokta\/wp-json\/wp\/v2\/posts\/3601\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.3nokta.com\/yeni3Nokta\/wp-json\/"}],"wp:attachment":[{"href":"http:\/\/www.3nokta.com\/yeni3Nokta\/wp-json\/wp\/v2\/media?parent=3601"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.3nokta.com\/yeni3Nokta\/wp-json\/wp\/v2\/categories?post=3601"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.3nokta.com\/yeni3Nokta\/wp-json\/wp\/v2\/tags?post=3601"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}